Music and the Benefit Performance in Eighteenth-Century Britain

Title: Music and the Benefit Performance in Eighteenth-Century Britain
Author: Matthew Gardner 
Publisher: Cambridge University Press 
Theme: Music  
Format: Hardcover 
Pages: 302
Dimension: 18 x 25 cm 
Language: English 
Release date: October 2019 
ISBN: 9781108492935 


In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in other European and American cities. Indeed, the charity benefit became a musical phenomenon in its own right, leading, for example, to the lasting success of Handel's Messiah. By examining benefits from a musical perspective - including performers, audiences, and institutions - the twelve chapters in this collection present the first study of the various ways in which music became associated with the benefit system in eighteenth-century Britain.